Adriaen Van Ostade, 1666 - The Analysis - կերպարվեստի տպագրություն

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"The Analysis" was by Adriaen Van Ostade in the year 1666. The 350 year old work of art had the size: Height: 28,2 cm, Width: 22,5 cm and was made on the medium Յուղանկար. Date and signature - Signature and date in the middle left: "A van / Ostade [...] / 1666" was the artpiece's inscription. It can be viewed in in the Petit Palais - Musée des Beaux-arts de la Ville de Paris's collection, which is an art museum in the 8th arrondissement. With courtesy of Փարիզի Փոքր պալատ (լիցենզիա՝ հանրային սեփականություն).In addition, the artwork has the creditline: . Moreover, alignment is in դիմանկար ֆորմատ 1:1.2 հարաբերակցությամբ, ինչը նշանակում է, որ երկարությունը 20%-ով ավելի կարճ է, քան լայնությունը. Adriaen Van Ostade was a engraver, artist, painter from the Netherlands, whose style can be attributed primarily to Baroque. The painter was born in the year 1610 Հարլեմում, Հյուսիսային Հոլանդիա, Նիդեռլանդներ և մահացավ 75 տարեկան հասակում 1685 թվականին Հարլեմում, Հյուսիսային Հոլանդիա, Նիդեռլանդներ։

Լրացուցիչ տեղեկություններ՝ թանգարանի կայքում (© Հեղինակային իրավունք - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Փարիզի Գեղեցկության արվեստի թանգարան)

In Dutch painting of the seventeenth century, examining a bottle of urine was used to represent doctors, often satirically, in assimilating to charlatans. The fanciful costume was a marker of distinction between good and evil doctor (Gerard Dou, "The Doctor", Vienna, Kunsthistorisches Museum). Sitting at his desk, the man examines a vial. Dressed in black and wearing a hat, it raises the bottle at eye level, to examine in daylight. In good scientist, he consulted the herbarium open on his desk and prepares to draw conclusions from its analysis on a leaflet blank to comment. It is learned qu'Adriaen Van Ostade represented his medical potential. The concentrated gaze, wisdom permeating his face, he is closer to the iconography of the lawyers in their study that the charlatan. The fineness of the painting and rendering textures, such as the oriental table mat, are characteristic of the evolution of painting from Van Ostade in the 1660s, towards greater artistic maturity. Each element of the composition is rendered with naturalism, giving the portrait of the scientist a psychological dimension.

On June 7, 1708, the table included in a sale in Amsterdam. He entered the collection of Johan Hendrik van Wassenaer Obdam graaf and remained probably until the death of this one in 1745. On 19 August 1750 Bisschop bought for 350 FL when selling the Hague, De Hondt. The analysis obtained for during "A Stove flaking fish" (location unknown) and it is with him that he was again sold, this time in Paris, July 19, 1774, in Collins, for 750 pounds. We do not know what date, the two pendant entered the collection of Abel Poisson Marquis de Menars. The posthumous sale of the latter allowed Claude Tolozan, introducer of ambassadors to the court of the king, to make the acquisition for 611 pounds. Then "The analysis" passed into the collection of Laneuville for 810 francs (sales & Paillet Delaroche, Paris, 23 February 1801) in the collection Séréville in that of Lafontaine for 1,500 francs (Paillet sale Laneuville & Olivier, Paris, January 22, 1812), Casimir Perier and Paul Perier. That's when Bonnefons sales Lavialle in Paris on 16 and 17 March 1843 Augustus Dutuit acquired it at a price of 6001 francs. The table remained in Rouen, in the collection of Dutuit two brothers, Eugene and Augustus, until Augustus bequeathed to the City of Paris in 1902.

Genre scene, Doctor, Man, Hat, Desk, Bottle, Book, Carpet

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• Կտավ տպագրություն. The printed canvas, which should not be mistaken with a real canvas painting, is a digital copy printed from a UV direct printing machine. The canvas makes a attractive, positive impression. Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the help of additional wall-mounts. Because of thata canvas print is suited for any type of wall.
• Ակրիլային ապակու տպագրություն. A glossy print on acrylic glass, which is sometimes referenced as a UV print on plexiglass, transforms your favorite artwork into lovely décor and offers a distinct alternative option to aluminium or canvas prints. Your favorite work of art is custom-made thanks to state-of-the-art UV direct printing machines. This creates the impression of and rich colors. The major upside of a plexiglass print is that contrasts and also minor details become identifiable with the help of the very subtle gradation.
• Ալյումինե դիբոնդ (մետաղական տպագիր). Aluminium Dibond prints are prints on metal with an outstanding effect of depth. For the Direct Aluminium Dibond option, we print your chosen artwork right on the aluminium composite surface. The bright and white sections of the artpiece shimmer with a silky gloss, however without any glare. Colors are bright and luminous, the fine details of the print appear crisp and clear, and the print has a a matte appearance that you can literally feel.
• Տպագիր պաստառ (կտավ նյութ): Our poster print is a printed flat canvas with a slight finish on the surface. A printed poster is perfectly appropriate for framing the art copy using a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the painting, which facilitates the framing with your custom frame.

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Իրավական մերժում. We try what we can to depict the products with as many details as it is possible and to exhibit them visually on the respective product detail pages. However, the pigments of the print materials, as well as the printing might vary marginally from the representation on the screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed as exactly as the digital version depicted here. Considering that all our art prints are printed and processed manually, there might as well be minor differences in the motif's exact position and the size.

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