Յոզեֆ Դանհաուզեր, 1829 - Զվարճալի տեսարան ստուդիայում՝ կերպարվեստի տպագրություն

Տեղեկություններ արվեստի տպագրության մասին»Funny scene in the studio"

Funny scene in the studio is a painting made by the realist painter Յոզեֆ Դանհաուզեր in 1829. Արվեստի գործն ունի չափսեր. 40,3 x 52 սմ - շրջանակի չափսերը՝ 59 x 72 x 8 սմ. Oil on canvas was applied by the European artist as the medium of the artpiece. The original artpiece has the following inscription: signed and dated lower left: Danhauser / 829. This artpiece is part of the digital collection of Belvedere in Vienna, Ավստրիա. We are delighted to reference that the public domain work of art is provided with courtesy of © Բելվեդեր, Վիեննա, գույքագրման համարը՝ 2552 թ. Բացի այդ, արվեստի գործն ունի վարկային գիծ. փոխանցում Վիեննայի Kunsthistorisches թանգարանից 1926 թ. Ի լրումն, որ հավասարեցում է լանդշաֆտ ֆորմատ և ունի հարաբերակցություն 4: 3, ինչը նշանակում է երկարությունը լայնությունից 33%-ով ավելի է. Josef Danhauser was a artist, painter of Austrian nationality, whose artistic style can mainly be classified as Realism. The Realist painter was born in 1805 in Vienna, Vienna state, Austria and passed away at the age of 40 - ին 1845:.

Ընդհանուր բնութագրեր Belvedere-ի կողմից (© Հեղինակային իրավունք - Belvedere-ի կողմից - Ամառանոց)

One year after the "Schola Renz Always" (Inv 2109) discussed Danhauser once more his metier. Another art world is full of life - this time by a large dog in his hunt for the cat lifts the painter along with his stool and pushes with both legs through the image. The joke of the presentation revealed that the head of the artist ends up in the mouth of painted hippopotamus and the Africans in the picture by the Thrust the spear gives the impression that he would save the painter. The "Art structure" on the easel that has nothing to do with the culture of the master and is made on the basis of several graphical templates (to see the stapled to the canvas sheet and the open book next to the easel), is thus used content-expanding and by the realistic described hunting instinctual dog absurdity. Danhauser could not with this scene, even with the "Schola Renz Always" on a common image form to fall back, because representations of painters were previously limited to self-portraits. In contrast to these, which are based solely on one's own person and the professional dignity, clinging Danhauser himself out, brought own situation knowledge and described the events as an observer from the outside. By intertwining of real and fictive level, he has continued spun in the present painting, which he had criticized in "Schola Renz Always": he wanted the budding artists were, "vormalen" like what coming toward him, he should set his progress academic bids accordingly. This inherent criticism of the education system is reminiscent of the claims Waldmüller, because like this it appealed in numerous writings, not to let besides copying the study of nature aside, put Danhauser with his two studio scenes to mind copying and the importance of history painting in its conventional form in question. In order to give his concern emphasis, he picked up the most extreme, namely the destruction of the image - clear rejection of the tradition can not be expressed. [Sabine Grabner 8/2009] Literature: Sabine Grabner, in: self-image. The artist and his portrait, ed. v. Renate Trnek, exh. . Kat Academy of Fine Arts Vienna, Ostfildern-Ruit 2004; This .: The painter Josef Danhauser - Biedermeier period in the image. Monograph and catalog raisonné, Vienna, Cologne, Weimar 2011 (Belvedere of Works, 1), pp 37-45, 204, WV-No. 46

Կառուցվածքային տեղեկատվություն արվեստի գործի վերաբերյալ

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Յուրաքանչյուր կերպարվեստի տպագրության համար մենք առաջարկում ենք տարբեր չափսեր և նյութեր: Մենք թույլ ենք տալիս ընտրել ձեր նախընտրած չափսը և նյութը ապրանքի անհատականացման հետևյալ տարբերակներից.

• Տպագրություն փայլուն ակրիլային ապակու վրա (իսկական ապակու ծածկով). An print on acrylic glass, which is often labelled as a UV print on plexiglass, changes your original work of art into magnificient wall decoration. The artwork will be custom-made thanks to modern UV printing machines. This makes vivid, stunning colors.
• Կտավ տպագրություն. The printed canvas material mounted on a wood stretcher frame. Furthermore, a canvas generates a homelike and comfortable look. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suited for all types of walls.
• Պաստառի տպագրությունը կտավի վրա. A poster is a printed sheet of cotton canvas with a granular surface finish. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the print in order to facilitate the framing.
• Մետաղ (ալյումինե դիբոնդ տպագիր): These are metal prints on aluminium dibond with an impressive depth - for a modern look and non-reflective surface. For the Print On Aluminum Dibond, we print the favorite artpiece on the aluminium composite surface. The colors are luminous and bright in the highest definition, fine details of the print appear clear and crisp, and the print has a a matte look that you can literally feel. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to display art prints, since it draws focus on the image.

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Disclaimer: We try all that we can in order to describe the products as accurately as possible and to display them visually on the different product detail pages. At the same time, the colors of the print products and the imprint can differ marginally from the representation on your monitor. Depending on your screen settings and the quality of the surface, not all colors are printed 100% realistically. Bearing in mind that our art reproductions are processed and printed manually, there might also be minor deviations in the motif's exact position and the size.

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