Jules Breton, 1868 - The Weeders - կերպարվեստի տպագրություն

Background information on the artwork from named Jules Breton

Գլուխգործոցը The Weeders ստեղծվել է ֆրանսերեն նկարիչ Ժյուլ Բրետոն in 1868. Բնօրինակ տարբերակը ուներ չափը. 28 1/8 x 50 1/4 դյույմ (71,4 x 127,6 սմ). Oil on canvas was used by the painter as the medium of the artwork. Besides, this work of art is in the the The Metropolitan Museum of Art's digital art collection in Նյու Յորք, Նյու Յորք, Ամերիկայի Միացյալ Նահանգներ. Քաղաքավարությամբ Մետրոպոլիտեն արվեստի թանգարան, Նյու Յորք, Կոլիս Պ. Հանթինգթոնի կտակ, 1900 թ. (հանրային տիրույթ). Creditline of the artwork: Bequest of Collis P. Huntington, 1900. Moreover, alignment of the digital reproduction is լանդշաֆտ կողային հարաբերակցությամբ 16: 9, ինչը ենթադրում է, որ երկարությունը լայնությունից 78%-ով ավելի է. The writer, poet, painter Jules Breton was a European artist from France, whose artistic style can primarily be classified as Realism. The European artist was born in the year 1827 and passed away at the age of 79 1906 տարին:

Ընտրեք ձեր նյութը

In the dropdown lists right next to the product you can select your prefered size and material. Choose among the following product options now to match your preferences in size and material:

• Պաստառի տպագրություն (կտավ նյութ): The poster is a printed canvas with a nice surface texture. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6 cm round about the work of art, which facilitates the framing with your custom frame.
• Ակրիլային փայլուն ապակու տպագրություն (իսկական ապակե ծածկույթով). The acrylic glass print, which is often referenced as a an art print on plexiglass, changes your favorite original work of art into amazing home décor and forms a good alternative to canvas and dibond prints. The artwork is being made with state-of-the-art UV direct print machines. The image effect of this are deep, intense colors. Our acrylic glass protects your custom art print against light and heat for many more years to come.
• Կտավ: The printed canvas stretched on a wood stretcher frame. Additionally, a printed canvas makes a lovely, pleasant effect. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without additional wall-mounts. A canvas print is suited for all kinds of walls.
• Ալյումինե դիբոնդ տպագրություն. Aluminium Dibond prints are prints on metal with a true effect of depth. The bright & white sections of the original work of art shimmer with a silky gloss but without any glow. The colors of the print are luminous in the highest definition, the details are crisp and clear, and you can feel the matte appearance of the surface. This UV print on aluminium is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, as it draws attention on the whole artwork.

Իրավական մերժում. We do everything in order to depict our art products with as many details as possible and to exhibit them visually in our shop. Please keep in mind that the pigments of the printed materials, as well as the imprint can diverge marginally from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as realistically as the digital version depicted here. In view of the fact that all fine art prints are processed and printed manually, there might as well be slight discrepancies in the size and exact position of the motif.

Արտադրանք

Արվեստի բնօրինակ ստեղծագործության մասին նախապատմություն

Նկարչի մասին

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Original information about the work of art from the museum's website (© Copyright - by The Metropolitan Museum of Art - Մետրոպոլիտենի արվեստի թանգարան)

This is a smaller variant of a composition Breton painted in 1860 (Joslyn Art Museum, Omaha) and exhibited to wide acclaim at the Salon of 1861 and the World’s Fair of 1867 in Paris. In his autobiography, Breton described this twilight scene of peasants pulling up thistles and weeds—"their faces haloed by the pink transparency of their violet hoods, as if to venerate a fecundating star"—noting that he had discovered the subject as a "finished picture" near his native village, Courrières, in northern France.