Օգյուստ Ռենուար, 1881 - Նատյուրմորտ դեղձի և խաղողի հետ - կերպարվեստի տպագրություն

Product առանձնահատկությունները

The Ժամանակակից արվեստի արվեստի գործը ստեղծվել է վարպետի կողմից Օգյուստ Ռենոիր տարվա ընթացքում 1881. Ավարտը 130 տարեկան բնօրինակը չափում է չափը. 21 1/4 x 25 5/8 դյույմ (54 x 65,1 սմ) և արտադրվել է տեխնիկա oil on canvas. Furthermore, this piece of art forms part of the Մետրոպոլիտեն արվեստի թանգարան digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, The Mr. and Mrs. Henry Ittleson Jr. Purchase Fund, 1956 (public domain license). The creditline of the artpiece is: Պարոն և տիկին Հենրի Իթլսոն կրտսերի գնման հիմնադրամը, 1956 թ. Further, the alignment is landscape with a side ratio of 1.2: 1, ինչը նշանակում է, որ երկարությունը 20%-ով ավելի է լայնությունից։

Ընտրեք ձեր նյութը

In the dropdown menu next to the product you can pick the material and sizeaccording to your preferences. Therefore, we allow you to choose among the following options:

• Տպագիր պաստառ (կտավ նյութ). The poster is a printed canvas paper with a nice finish on the surface, which resembles the actual version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print motif to facilitate the framing with a custom frame.
• Կտավ: The UV printed canvas applied on a wooden frame. A canvas generates the special effect of three dimensionality. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without additional wall-mounts. Canvas prints are suited for any kind of wall.
• Ալյումինե դիբոնդ տպագրություն. An Aluminium Dibond print is a material with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is the perfect introduction to art replicas produced with alu. For your Direct Print On Aluminum Dibond, we print the artwork onto the surface of the aluminum. The white and bright parts of the original work of art shimmer with a silky gloss but without glare. The colors are luminous in the highest definition, fine details appear crisp, and you can really perceive the matte appearance of the surface.
• Ակրիլային ապակու տպագրություն (իսկական ապակու ծածկույթով). A glossy print on acrylic glass, often named a plexiglass print, will convert your favorite artwork into wonderful décor and forms a good alternative option to dibond and canvas fine art replicas. The work of art is being printed with the help of state-of-the-art UV direct printing technology. This has the effect of vivid and stunning colors. Our plexiglass protects your chosen art print against light and external influences for several decades.

Իրավական մերժում. We try everythig possible in order to describe our products as clearly as possible and to display them visually in our shop. Although, the colors of the printing material and the printing may vary somehwat from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, colors may not be printed one hundret percent realistically. In view of the fact that the art reproductions are processed and printed manually, there might as well be slight discrepancies in the exact position and the size of the motif.

Հոդվածի մասին

Արվեստի մի կտոր տեղեկատվություն

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© Հեղինակային իրավունք - Artprinta.com (Artprinta)

Արվեստի գործի մասին բնօրինակ տեղեկություններ՝ թանգարանի կայքից (© - The Metropolitan Museum of Art - Մետրոպոլիտենի արվեստի թանգարան)

Renoir spent part of the summer of 1881 at the country home of his patron Paul Berard in the small Normandy village of Wargemont. During his stay, Renoir painted two similar still lifes in contrasting color harmonies, showing the family’s faïence jardinière piled high with peaches. Berard purchased the present work for himself; the other version (61.101.12) was featured in the seventh Impressionist exhibition the following year.