Կամիլ Պիսարրո, 1896 - Շոգենավեր Ռուանի նավահանգստում - կերպարվեստի տպագրություն

Արվեստի արտադրանքի առաջարկ

Արվեստի այս ժամանակակից ստեղծագործությունը պատրաստվել է ֆրանսերեն նկարիչ Camille Pissarro. Արվեստի գործը չափում է չափը. 18 x 21 1/2 դյույմ (45,7 x 54,6 սմ). Oil on canvas was used by the artist as the medium of the artwork. Today, this artpiece belongs to the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Arthur J. Neumark, 1958 (լիցենզիա - հանրային սեփականություն). : Gift of Arthur J. Neumark, 1958. Besides, the alignment of the digital reproduction is լանդշաֆտ և ունի պատկերի հարաբերակցություն 1.2: 1, which implies that the length is 20% longer than the width. Camille Pissarro was a male artist, painter of French nationality, whose artistic style was primarily Impressionism. The European painter lived for a total of 73 years - born in the year 1830 ԱՄՆ-ի Վիրջինյան կղզիների Շառլոտ Ամալիում և մահացել 1903 թվականին Փարիզում, Իլ-դե-Ֆրանս, Ֆրանսիա։

Ընտրեք ապրանքի նյութը, որը կկախեք ձեր պատերից

In the dropdown lists next to the article you can choose the size and materialaccording to your preferences. We allow you to pick your favorite size and material among the following product individualization options:

• Ակրիլային փայլուն ապակի տպագրություն. An acrylic glass print, which is often referred to as a UV print on plexiglass, transforms the original artwork into décor. The artwork is manufactured with state-of-the-art UV printing technology. It creates vivid and deep color shades. The real glass coating protects your chosen art replica against light and heat for between 40-60 years.
• Ալյումինե տպագրություն (ալյումինե դիբոնդ). An Aluminium Dibond print is a print with an outstanding depth effect, which creates a modern impression by having a surface , which is non-reflective. A direct Direct Print on Aluminum Dibond is the excellent introduction to fine art replicas produced with aluminum. The white & bright parts of the artpiece shine with a silky gloss but without glare.
• Կտավի տպագրություն. A printed canvas, not to be mistaken with a painting on a canvas, is a digital replica printed on a UV direct printer. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
• Պաստառ (կտավ նյութ). Our poster is a printed flat canvas paper with a slight surface finish, that resembles the original version of the artwork. A printed poster is appropriate for placing the art replica in a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm round about the artwork, which facilitates the framing with your custom frame.

Կարեւոր նշում ` We try all that we can to describe the products as accurately as possible and to exhibit them visually on the respective product detail pages. Nonetheless, the tone of the printed materials, as well as the print result might vary somehwat from the representation on your screen. Depending on your settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version on this website. Since our fine art prints are printed and processed manually, there might as well be slight discrepancies in the size and exact position of the motif.

Հոդվածի մասին

Արվեստի եզակի ստեղծագործության մասին ֆոնային տվյալներ

Ընդհանուր տեղեկություններ նկարչի մասին

Այս տեքստը պաշտպանված է հեղինակային իրավունքով © - www.artprinta.com (Artprinta)

What does the website of the The Metropolitan Museum of Art write about the artwork made by Camille Pissarro? (© Հեղինակային իրավունքը - The Metropolitan Museum of Art - www.metmuseum.org)

On January 20, 1896, when Pissarro arrived for his second extended stay in Rouen, he was already enraptured by "the beautiful motifs of the quays, which will make famous paintings." This is one of several views of the busy port that he painted from the window of his room at the Hôtel de Paris. Across the river in the background may be seen the wharves and warehouses of the working-class Saint-Sever district.