Պիեռ Օգյուստ Ռենուար, 1876 - Բաղնիքից հետո - կերպարվեստի տպագրություն

Ինչպիսի՞ կերպարվեստի տպագրական նյութեր կարող եմ պատվիրել:

The product dropdown menu gives you the chance to pick your favorite size and material. We allow yout to choose among the following variants:

• Տպագրություն ակրիլային ապակու վրա (վերևում իրական ապակու ծածկով). An acrylic glass print, often named a print on plexiglass, will turn the original artwork into wall décor. In addition, it offers a great alternative option to dibond or canvas fine art replicas. Your artwork will be made with modern UV print technology. This creates the image effect of vibrant, impressive colors. The great benefit of an acrylic glass art print is that contrasts and details will be more recognizeable because of the fine gradation. Our plexiglass with real glass coating protects your custom fine art print against light and heat for many decades.
• Տպագիր պաստառ (կտավ նյութ). Our poster is a UV printed sheet of cotton canvas with a fine texture on the surface. Please note, that depending on the size of the poster we add a white margin of around 2-6 cm round about the artwork to facilitate the framing with a custom frame.
• Ալյումինե դիբոնդ տպագրություն. These are metal prints on aluminium dibond material with a true depth. A direct Direct Print on Aluminum Dibond is your excellent introduction to fine prints made on aluminum. For our Aluminium Dibond option, we print your favorite artpiece onto the surface of the white-primed aluminum composite. The colors of the print are vivid and luminous, details of the print appear clear and crisp, and the print has a a matte appearance that you can literally feel.
• Կտավ: A canvas direct print is a printed cotton canvas mounted on a wood stretcher. The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang your Canvas print without the help of any wall-mounts. That is why, a canvas print is suited for any type of wall.

Կարեւոր տեղեկություններ: We try whatever we can to describe the products with as many details as possible and to exhibit them visually in our shop. Please bear in mind that some pigments of the printed materials and the print result can differ somehwat from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, colors might not be printed as exactly as the digital version on this website. Bearing in mind that all the are processed and printed by hand, there might as well be slight variations in the motif's size and exact position.

Ընդհանուր տեղեկություններ՝ թանգարանի կայքում (© Նյութի հեղինակային իրավունքները պատկանում են Բելվեդերին - Ամառանոց)

On the second Impressionist exhibition in 1876 Renoir made his famous 'Le Moulin de la Galette' from; he had painted it in a garden in the Rue Cortot, where two acts of his model 'Anna emerged. It is tempting to compare the appearance of the Belvedere with the other two this year on the same model and observe the center position. The study of an 'act in sunlight' from the Musée d'Orsay is painted in the open and dedicated to the spotty play of light and color reflections on the soft skin of the woman. Shimmering and composed of different tones, the body appears quite in the current impression of the lighting effect and is constituted by it. In another display of Anna (the Pushkin Museum in Moscow) a development has already indicated, which is then run in the eighties too firmly formed, sharply drawn through files. This also painted outdoors Wiener image stands between them and thus as it were in the final stages of Renoir Impressionism; but it already suggests future developments. So the act has on the one hand quite the melting of plein-air painting; secondly, the physicality is taken already dense and palpable plastically shaped. Above all, Renoir's quest "begins to greater generality to sign off on the solution from the individual in favor of an ideal of femininity [Stephan Koja, in: Austrian Gallery Belvedere Vienna, Prestel museum guide, Munich et al 2001].

Հոդվածի ճշգրտում

Բաղնիքից հետո is a masterpiece created by Pierre Auguste Renoir in 1876. The painting has the following size: 92,4 × 73,2 cm - frame dimensions: 116 x 97 x cm glazed 9 and was crafted with the տեխնիկա of յուղ կտավով. The original artwork has the following inscription: "name right: Renoir". What is more, the artwork can be viewed in in the digital art collection of Belvedere. With courtesy of - © Belvedere, Vienna, inventory number: 1055 (public domain). : purchase from art dealer H. O. Miethke, Vienna in 1910. Moreover, alignment of the digital reproduction is դիմանկար և ունի կողային հարաբերակցություն 3: 4, which implies that the length is 25% shorter than the width. Pierre Auguste Renoir was a painter, whose art style can primarily be assigned to Impressionism. The Impressionist painter was born in the year 1841 in Limoges and died at the age of 78 in the year 1919 in Cagnes-sur-Mer.

Կառուցվածքային արվեստի գործի մասին տեղեկատվություն

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