Պիտեր Պոլ Ռուբենս, 1614 - Ագրիպինա և Գերմանիկուս - կերպարվեստի տպագրություն

Artwork information from National Gallery of Art (© Copyright - by National Gallery of Art - Արվեստի ազգային պատկերասրահ)

Between 1600 and 1608, Peter Paul Rubens lived and worked in Italy, where he immersed himself in the study of ancient sculpture. He admired the idealized beauty of its classical forms and recognized its importance as a pictorial source for Greek and Roman history. While in Italy, Rubens executed numerous drawings after antique sculpture—marble and bronze, freestanding and relief—as well as antique gems, medallions, and cameos. These studies became sources of reference and inspiration for the artist, whose interest in classical antiquity continued unabated for the rest of his life.

The Gallery’s double-profile image of Agrippina (14 BC – 33 AD), the granddaughter of Emperor Augustus, and her husband, Germanicus (b. 15 BC), a prominent and highly lauded commander-in-chief in the Gallic and Germanic provinces of the Roman Empire, is one of the most vivid manifestations of Rubens’s interest in antique sculpture. Executed around 1614, it resembles a cameo in subject and composition, yet, as was Rubens’s great talent, the figures feel full of life. He subtly differentiated Agrippina’s luminous, ivory-colored flesh from the ruddy complexion of her husband, and used rhythmic touches of his brush to create accents of light that give life to her wavy golden hair.

Despite the fact that Rubens’s double-profile has pictorial roots in the overlapping profiles occasionally found in ancient cameos and coins, there is no direct pictorial source for this painting. Most ancient cameos and medals with overlapping images of male and female heads depicted the male in the foreground, but here Rubens has granted Agrippina pride of place. Technical evidence suggests that he initially intended to portray Agrippina alone, and only later extended the panel to include Germanicus. Agrippina was deeply connected to the city of Cologne, Rubens’s hometown, where she famously helped to defend a bridge in AD 14, thereby ensuring the safe return of Roman soldiers from battle. The city was, thus, named Colonia Agrippinensis (Cologne) after her daughter Agrippina the Younger. It may be that Rubens executed the painting in commemoration of her noble actions, and over the course of its evolution, those of her husband as well.

Արվեստի կրկնօրինակի բնութագրերը Agrippina and Germanicus

"Agrippina and Germanicus" is an artpiece painted by Peter Paul Rubens. The version of the painting had the following size: 66,4 x 57 սմ (26 1/8 x 22 7/16 դյույմ) և պատրաստվել է կրիչով յուղ վահանակի վրա. Մեր օրերում արվեստի այս գործը ներառված է թվային արվեստի հավաքածուի մեջ Արվեստի ազգային պատկերասրահ. Քաղաքավարությամբ Արվեստի ազգային պատկերասրահ, Վաշինգտոն (հանրային տիրույթ).Գեղարվեստական ​​գործի վարկային գիծը հետևյալն է. Հավասարեցումը գտնվում է դիմանկար ձևաչափով և ունի հարաբերակցություն 1: 1.2, ինչը նշանակում է երկարությունը 20%-ով ավելի կարճ է, քան լայնությունը. The diplomat, painter Peter Paul Rubens was an artist, whose artistic style was mainly Baroque. The Baroque painter was born in the year 1577 Գերմանիայի Հյուսիսային Ռեյն-Վեստֆալիա նահանգի Զիգեն քաղաքում և կյանքից հեռացել տարեկան հասակում 63 - ին 1640:.

Ընտրեք նյութական տարբերակ

In the dropdown selection next to the product you can choose your individual size and material. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Կտավ տպագրություն. A canvas direct print is a printed canvas stretched on a wood frame. It makes the extra look of three dimensionality. Besides, canvas generates a nice and pleasing ambience. Canvas Prints have the advantage of being relatively low in weight. This means, it is quite simple to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for any kind of wall.
• Ակրիլային ապակու տպագրություն. A glossy acrylic glass print, often referenced as a print on plexiglass, makes your favorite original into gorgeous décor. Beyond that, the acrylic glass art print is a good alternative to canvas and dibond prints. Your favorite work of art will be made with modern UV direct print technology. It creates rich and deep colors. Our real glass coating protects your custom art replica against light and heat for decades.
• Մետաղ (ալյումինե դիբոնդ տպագիր): These are metal prints on aluminium dibond material with an outstanding depth effect. The Direct Print on Aluminum Dibond is your excellent start to prints produced on aluminum. For your Direct Aluminium Dibond print, we print the favorite artwork onto the aluminium composite surface. The colors of the print are luminous, the fine details are crisp and clear. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly contemporary way to showcase fine art reproductions, as it puts the viewer’s attention on the replica of the artwork.
• Տպագիր պաստառ (կտավ նյութ): Our poster print is a printed cotton canvas with a fine surface finish. It is suited for placing your art replica in a custom frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the work of art, which facilitates the framing with a custom frame.

Նկարչի ընդհանուր աղյուսակ

Ստեղծագործության կառուցվածքային աղյուսակ

Արտադրանք

Իրավական մերժում. We try whatever we can to depict the art products as exact as we can and to display them visually. Nevertheless, the pigments of the print materials, as well as the print result might diverge somehwat from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments can be printed as realistically as the digital version depicted here. Bearing in mind that all are printed and processed by hand, there might also be minor variations in the exact position and the size of the motif.

© Հեղինակային իրավունք - Artprinta.com