Ջորջ Բ. Բաթլեր, 1884թ.՝ Կապրի ժանյակագործ

Ընդհանուր տեղեկություններ թանգարանի կողմից (© - Քլիվլենդի արվեստի թանգարան - Քլիվլենդի արվեստի թանգարան)

George Butler studied with the American artist Thomas Hicks in New York City before going to Paris in 1859 to study with Thomas Couture, whose most famous pupils included Édouard Manet and Puvis de Chavannes. He returned to the United States and served in the Union Army during the Civil War, at which point he lost his right arm. He went to Italy in 1875, where he remained for a number of years. During his stay abroad, Butler painted Capri Lace Maker. Although to a contemporary viewer this work may seem to be a fairly traditional, conservative composition, the bravura of the brushwork and the thick layers of pigment mark the European influence on Butler's style. An accomplished academic painter, Butler was elected to the National Academy of Design in 1873 and exhibited this work there in 1884. A gift of the artist's daughter, Capri Lace Maker was the first painting to enter the museum's collection on February 2, 1915.

"Capri Lace Maker«որպես արվեստի պատճեն

Արվեստի գործը Capri Lace Maker արվել է նկարչի կողմից George B. Butler. The original was painted with the absolute size: Unframed: 160 x 84,5 cm (63 x 33 1/4 in). Յուղ կտավի վրա was applied by the artist as the medium of the piece of art. Nowadays, this work of art forms part of the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Քլիվլենդի արվեստի թանգարան (հանրային տիրույթ). The creditline of the artpiece is: Gift of Helen C. Butler. The alignment of the digital reproduction is դիմանկար կողային հարաբերակցությամբ 1: 2, Ինչը նշանակում է, որ երկարությունը 50%-ով ավելի կարճ է, քան լայնությունը.

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The product dropdown menu gives you the opportunity to select your prefered material and size. That is why, we allow you to choose among the following options:

• Պլակատ (կտավ նյութ): Our poster print is a UV printed sheet of canvas paper with a slight surface finish. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6cm around the print to facilitate the framing with your custom frame.
• Ակրիլային ապակու տպագրություն (վերևում իրական ապակու ծածկույթով). A glossy print on acrylic glass, which is often labelled as a print on plexiglass, transforms the original into stunning wall decoration. Your favorite work of art will be manufactured with the help of state-of-the-art UV print technology. It makes rich and impressive colors.
• Կտավի տպագրություն. A canvas print, not to be confused with an artwork painted on a canvas, is an image applied onto cotton canvas material. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang the Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suitable for all types of walls.
• Մետաղական տպագրություն (ալյումինե դիբոնդ). These are metal prints on aluminium dibond material with a true effect of depth. A non-reflective surface structure creates a contemporary impression. Colors are bright and luminous in the highest definition, the details appear crisp and clear, and the print has a a matte look that you can literally feel.

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Legal disclaimer: We try everythig possible in order to depict our products as precisely as possible and to exhibit them visually on the different product detail pages. At the same time, the pigments of the printing material, as well as the print result might differ slightly from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, not all colors will be printed as realistically as the digital version on this website. Because all the art reproductions are printed and processed by hand, there may also be slight discrepancies in the size and exact position of the motif.

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