Հենրի Օսսավա Թաներ, 1914 - Լուսնի լույս, Տանգերի պատեր - կերպարվեստի տպագրություն

Original information about the artwork from the museum's website (© Copyright - Los Angeles County Museum of Art - Լոս Անջելեսի County Museum of Art)

Following his 1910 trip to Morocco, Tanner painted many scenes of Tangiers and exhibited them in Chicago at Thurber Art Galleries in 1911 and in New York at M. Knoedler & Co. in 1913. Although Moonlight: Walls of Tangiers has traditionally been dated 1914, based on William Preston Harrison’s authority, the painting may have been executed earlier, for several of the works exhibited in 1913 have similar titles, in particular one painting entitled Moonrise: Walls of Tangiers. Although the North African locale provided the same exotic scenery incorporated in Tanner’s religious images, the Moroccan scenes are not religious. The elimination of a narrative may have assisted Tanner in his exploration of the formal aspects of painting, for it is just during these prewar years that his art underwent its last stylistic change. Tanner used his views of the streets, walls, and arcades of the city to explore the phenomena of color and light, not in an analytical manner as did the impressionists, but rather in harmony with both his own romanticism and turn-of-the-century tonalist trends in Europe and the United States. The Moroccan paintings are all vague, shadowy scenes painted in one predominant hue with thick, scumbled passages over rich glazing on a white ground. The blue and green palette of Moonlight: Walls of Tangiers has shades of yellow, peach, and purple. Tanner had begun to experiment with pigments and glazes around 1907 and by World War I was almost exclusively using the complex technique of layered glazes. Perhaps it was his renewed acquaintance with the Orient that enabled Tanner to develop the more resonant and colorful painting style characteristic of his art from about 1910 until his death in 1937.

Մանրամասներ ստեղծագործության մասին

Նախնական տեղեկություններ նկարչի մասին

Ապրանքի բնութագրերը

Ընտրեք ձեր նախընտրած նյութը

Ապրանքի բացվող ընտրացանկը ձեզ հնարավորություն է տալիս ընտրել ձեր նախընտրած չափը և նյութը: Ընտրեք ձեր նախընտրած չափսը և նյութը հետևյալ տարբերակներից.

• Ալյումինե դիբոնդ տպագիր (մետաղ). These are metal prints on aluminium dibond with an impressive effect of depth, creating a modern look thanks to a non-reflective surface.
• Պաստառ (կտավ նյութ). The Artprinta poster is a UV printed canvas paper with a granular finish on the surface. A poster is designed for putting the fine art print with a personal frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art to facilitate the framing with your custom frame.
• Ակրիլային փայլուն ապակու տպագրություն. An print on acrylic glass, which is often referenced as a fine art print on plexiglass, will change the original work of art into amazing décor. The artwork will be made with state-of-the-art UV direct print technology.
• Կտավ տպագրություն. A canvas direct print is a printed canvas stretched on a wood stretcher. A canvas has a sculptural impression of three dimensionality. The canvas produces a cosy and comfortable effect. A canvas print has the great advantage of being relatively low in weight. That means, it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.

Արվեստի արտադրանքի ամփոփում

The Ժամանակակից արվեստի masterpiece was made by the American artist Հենրի Օսսավա Թաներ. Բնօրինակը չափում է չափը. 25 7/8 x 21 1/4 դյույմ (65,72 x 54,1 սմ) և արտադրվել է կրիչով յուղ կտավով. The work of art is included in the Los Angeles County Museum of Art's collection. With courtesy of: Լոս Անջելեսի շրջանի արվեստի թանգարան (www.lacma.org) (licensed: public domain).: . In addition to this, the alignment is դիմանկար 1:1.2 կողմի հարաբերակցությամբ, այսինքն երկարությունը 20%-ով ավելի կարճ է, քան լայնությունը.

Իրավական նշում. We try whatever we can in order to depict the products in as much detail as possible and to illustrate them visually. Nevertheless, the pigments of the print materials and the imprint can diverge somehwat from the representation on the monitor. Depending on the screen settings and the quality of the surface, not all color pigments will be printed 100% realistically. In view of the fact that all our are processed and printed manually, there might also be minor deviations in the motif's size and exact position.

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